----------empyre- soft-skinned space----------------------
Hi all I want to explain why a new context is essential from the point of view of our information society. I have been dealing with our society for 45 years. I have created many utopias, but I have also lost many political battles. Especially at the end of the 70s I remember a political-social struggle, but it was also the discussion with Paul Virilio about the speed that motivated me, besides my social commitment, to deal with machines and art. It was the variables in kinetic art that fascinated me. Parameters that renew themselves autopoeotically via machines. Quickly came the real-time interchangeable video image and computer-aided interactive installations that increased speed in the sense of Virilio. But this "speed" could still be seen from the perspective of a single analog world. But the world doubled with the digital revolution. Unfortunately, artists mostly limited themselves to surfaces and lost access to their medium. Only the emerging hacker scene dealt with the media of the digital age in a relevant way. My field of work shifted to this scene. Freedom of action could only work with free software embedded in a social context. The media art groups Van Gogh TV and STWST-TV attempted this in the early 1990s. At the same time, the hacker scene built its own networks, free WIFI LANs and operating systems. 20 years have passed since then. Utopias are disappearing quickly and now it's time to get down to business. In a struggle for the supremacy of information. The present is the machine processing of information. It is the result of Claude Shannon's information theory, which put us on the wrong path. It is not a theory that takes us further in dealing with media, it is simply a technology for transmitting information. For me, an information theory would be an examination of evolution. Because life is negentropy and it developed our information. To the present day, where the analogue world is reflected in the digital world. Information has become our working material. We don't know what information is, but we work with it. That is very dangerous. I cannot blame the economy if it only wants to profit from information. However, I would like to reproach my fellow artists for working with information in an unreflected way. I see a new context in an analysis of this information. A new approach does not have to become religious or esoteric again. We must incorporate the continuity of our media criticism of the last decades into a new genuine information theory. Only through art do we have the opportunity to view information in a new and different way. The information of the sand hole is not a result of our evolution, but originates from a time before life (=information) developed on earth. We should see Virilio's speed in a new information context. Information does not come from evolution but evolution originated from information and time. Virilio: "Acceleration is the end - goal of the world.” -------- Originalnachricht -------- Betreff: Fwd: Re: [-empyre-] NEW ART CONTEXTS Von: Shu Lea Cheang An: Franz Xaver Cc:
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