Christina, It has been interesting to lurk the past few days and I'm prompted to write very briefly as I'm headed out the door to teach this morning. Your invitation to "wake up the list" is one that I think about quite often as one of empyre's managing moderators. Hello, is anyone out there? As I fly out the door this morning I'm thinking that courageous and dangerous women are all working women who by uniting locally to network world wide as a "field" of participants could "field" world-wide change.
BTW add S. Anne Vorce, Susan Hale Kemenyffy, Marsha Cisek, and Mary Lou HIggins all women artists who may not be recognizable to probably all of you but influenced me greatly very early in my career. Off to work. Renate On Tue, Mar 8, 2011 at 7:15 PM, Cara Baldwin <carabaldwi...@gmail.com>wrote: > 100 women and new media artists > > > http://p-art-icles.blogspot.com/2011/03/celebrating-100th-international-womens.html > > > > On Mar 8, 2011, at 2:09 PM, christina <christ...@christinamcphee.net> > wrote: > > > Not yet > > > > and in fact let's riff on more media artists, yourself included in my > personal list : > > > > c > > > > On Mar 8, 2011, at 8:07 AM, Lynn Hershman wrote: > > > >> Has anyone mentioned Tina Modotti? > >> l > >> > >> On Mar 7, 2011, at 10:21 PM, Christiane Robbins wrote: > >> > >>> And ... for the record ... in case she has not been yet mentioned: > >>> > >>> Ralf Huebner Earth News March 7, 2011 > >>> > >>> http://www.earthtimes.org/articles/news/370619,womens-day-feature.html > >>> > >>> Wiederau, Germany > >>> > >>> A bronze statue in front of the childhood home of Clara > >>> Zetkin is one of the few remaining landmarks > >>> commemorating the socialist women's rights campaigner > >>> who founded International Women's Day. > >>> > >>> At the second International Socialist Women's > >>> Conference in Copenhagen in 1910, Zetkin proposed an > >>> annual day to honour women's rights. Her suggestion was > >>> approved and International Women's Day was first held > >>> 100 years ago, in 1911. It is now celebrated on March 8 > >>> each year. > >>> > >>> Zetkin was born in 1857 in Wiederau, a town nestled in > >>> the sparsely populated region between the eastern > >>> German cities of Leipzig and Chemnitz. She died in > >>> exile in the Soviet Union in 1933. > >>> > >>> In the former Communist East German state, the > >>> socialist politician was a national icon whose profile > >>> featured on the 10-Mark banknote. > >>> > >>> But 20 years after German unification, she is virtually > >>> unknown to the residents in Wiederau. None of its > >>> streets is named after her, and the former school and > >>> gardening collective that bore her name have been > >>> closed. > >>> > >>> Her old home, once known as the Clara Zetkin Memorial > >>> Site, is now simply called the Museum in the Old > >>> Village School. > >>> > >>> Zetkin lived in the schoolhouse until the age of 15, > >>> when her family moved to Leipzig. Today, the building > >>> is filled with memorabilia from the early 20th century, > >>> a time of social change and class conflict. > >>> > >>> During the East German regime, visitors filled the > >>> house on March 8 each year, said Ursula Bergmann of the > >>> local heritage society. > >>> > >>> "Every year on Women's Day there was a trip first to > >>> the memorial site, then something to eat," Bergmann > >>> said. "The memorial was a form of socialist pilgrimage > >>> site." > >>> > >>> The guest book bears testimony to the worker's > >>> collectives, school groups and delegations from around > >>> the world who stopped by to honour Zetkin's memory. > >>> > >>> "The locals did not like all the fuss," Bergmann said. > >>> > >>> When the East German state crumbled in 1989, Zetkin's > >>> statue was not left unscathed by the revolutionary > >>> turmoil. It was an obvious target at the town's main > >>> junction. One morning it was found face down on the > >>> ground, and was subsequently moved out of the town > >>> centre, to Zetkin's former home. > >>> > >>> Wiederau is in a part of Germany that has suffered from > >>> the failure of Communism, as state-run industry > >>> collapsed after unification and young people left the > >>> region in droves. > >>> > >>> The town's streets are empty, the former department > >>> store is up for sale and Wiederau's former knitwear > >>> factory has been converted into a home for the elderly. > >>> > >>> These days the museum draws just 200 visitors annually, > >>> Bergmann said. > >>> > >>> But March 8 is still the busiest day of the year, she > >>> said, when radical Left Party legislators bring guests > >>> to celebrate their Comrade Clara. Members of the > >>> heritage society sell coffee and cake to earn a few > >>> euros. > >>> > >>> The visitors are hardly ever locals - but the residents > >>> of Wiederau have now made peace with the socialist hero > >>> who once lived in their midst, Bergmann said. > >>> > >>> "We know that Clara Zetkin was born here," said a > >>> saleswoman in one of the town's small grocery stores. > >>> But she thought it was right that Zetkin's statue no > >>> longer graced the town's central crossroads. > >>> > >>> "She's doing okay where she now stands," she said. > >>> > >>> ___________________________________________ > >>> On Mar 7, 2011, at 1:11 PM, Ana Valdes wrote: > >>> > >>>> Some names I should like to add, Flora Tristan, grandmother of Gauguin > and one of the first socialists, Florence Nightingale, the writer Nathalie > Barney, the Nobelprize Rigoberta Menchu, Emma Goldman, Virginia Woolf, > Christine de Pisan, The Rennaisance painter Artemisia Gentileschi, the suden > Kristina of Sweden, who abdicated and died in Rome. > >>>> Ana > >>>> > >>>> Sent from my iPad > >>>> > >>>> On 7 mar 2011, at 21:24, christina <christ...@christinamcphee.net> > wrote: > >>>> > >>>>> Try finding information online about many of these women. These are > not all famous people. Check it out. Some are, many are not. Yes, Les > Annalistes had a profound contribution to 'the history of everyday life' > (Aries, etc.) Natalie Zemon Davis is a > >>>>> particularly notable historian in re the 'invisible' in women's > history. The heretics of Carcasson-- I used Ladurie's book as the basis of > a new media studio at Santa Cruz (undergraduate digital lab). > >>>>> > >>>>> > >>>>> Let this exercise support one another , not tear each other down. > >>>>> > >>>>> Hoda Aminan > >>>>> Eula Gray > >>>>> Mary Wollstronecraft > >>>>> Mary Whang Choi > >>>>> Elizabeth Gurley Flynn > >>>>> Sussan Tamassebi > >>>>> Rosa Luxembourg > >>>>> Asadah Faramaziha > >>>>> Parvin Ardalan > >>>>> Suely Rolnick > >>>>> Esha Momeimi > >>>>> Axelline Soloman > >>>>> Elena Gil > >>>>> Phyllis Wheatly > >>>>> Frances E. W. Harper > >>>>> Gloria Anzaldua > >>>>> Shirin Ebadi > >>>>> Ingrid Washinawatok > >>>>> Ana Mendieta > >>>>> Marija Gimbutas > >>>>> Helen Keller > >>>>> Mercedes Amaiana > >>>>> Fusae Ichikawa > >>>>> Lola Rodriguez de Tio > >>>>> Florence Kelly > >>>>> Victoria Mxenge > >>>>> Nawal El-Saadawi > >>>>> Ada Lovelace > >>>>> Eileen Gray > >>>>> Pat Hearn > >>>>> Elizabeth Peratrovich > >>>>> Minerva Mirabal > >>>>> Sappho > >>>>> Sylvia Beach > >>>>> Marilyn Monroe > >>>>> Nancy Spero > >>>>> Minerva Bernardino > >>>>> Ginetta Sagan > >>>>> Lee Bul > >>>>> Margaret Atwood > >>>>> Lee Lozano > >>>>> Charlotte Moorman > >>>>> Jane Jacobs > >>>>> Joan Mitchell > >>>>> On Mar 7, 2011, at 8:54 AM, Ana Valdés wrote: > >>>>> > >>>>>> Allow me to add some Marxistic perspective to the discussion :) But > if we see which kind of women we know about, for their lives or for their > deeds: the most of them are aristocrats, nuns or well educated women, an > exception at the beginning of this century. > >>>>>> The class prospective is also applicable to men, we know about > generals, emperors or kings, but very little about peasants, soldiers and > workers. > >>>>>> The Academy and the books are often written from above and it was > only the Annales School, in France, who started to talk about "les petites > histoires", it means the tales of everydays life. As in Mointalloux, the > book written by Emmanuel Le Roy Ladourie or Bread of Dreams, written by the > Italian historian Piero Camporesi. > >>>>>> These books are about European heresies, crushed by the authority of > the Church of Rome in alliance with wealthy princes. > >>>>>> Very few women were able to fight with their own class and with the > oppression of the system. Many of them chose to be nuns, as Hildegard of > Bingen, to avoid matrimony and mootherhood, to be able to sing, write and > create. > >>>>>> Ana > >>>>>> > >>>>>> On Mon, Mar 7, 2011 at 8:02 AM, cara baldwin < > carabaldwi...@gmail.com> wrote: > >>>>>> What does this have to do with drawing, you ask? In a typically > modernist approach to figure and field we're instructed to balance figure > and ground in a way that is 'convincing'. Even if we 'solve' this problem by > way of recourse to an overall composition-the multitudes-we are left with > the responsibility for our own discernment and action. > >>>>>> > >>>>>> Sent from my iPhone > >>>>>> > >>>>>> On Mar 6, 2011, at 10:51 PM, Cara Baldwin <carabaldwi...@gmail.com> > wrote: > >>>>>> > >>>>>>>> where might 'we' might best focus our energies; figure and ground > or the multitude? > >>>>>>> > >>>>>>> My answer to this question took less than a second, actually-- the > multitudes. Figure and ground will take care of themselves. > >>>>>>> > >>>>>>> This is an expanded field, certainly; and one in which figures are > articulate led not just differently-but more or less visibly. > >>>>>>> > >>>>>>> 'According to a study by the Centre for Women and Gender Studies, > nearly 85 per cent of the United Arab Emirates population of four million is > migrant workers. In Bahrain and Saudi Arabia 65 per cent of the workforce > are expats. In Kuwait it is 82 per cent, and in Qatar almost 90 per cent.' > >>>>>>> Women are systematically and historically divested of rights and > representation. They resist definition and are difficult to organize because > of their illegibility-at a scale that is global, and radically local. > >>>>>>> > >>>>>>> > >>>>>>> > >>>>>>> On Mar 6, 2011, at 3:06 PM, Ana Valdés <agora...@gmail.com> wrote: > >>>>>>> > >>>>>>>> Dear Christina, allow me to dissent a little bit :) > >>>>>>>> At the Intifada the women had a very crucial role, I met Leila > Khaled some years ago in Amman and her tale of her hitchjacking of two > planes in the Eighties: is really atonishing. > >>>>>>>> And I come myself from a generation of women engaged in gerilla > warfare in South America. I spent four years as political prisoner in > Uruguay for that. > >>>>>>>> I think it's a kind of media issue, we "common women" don't fit in > the hero's stereotyps. > >>>>>>>> Cheers > >>>>>>>> Ana > >>>>>>>> > >>>>>>>> On Sun, Mar 6, 2011 at 7:14 AM, christina < > christ...@christinamcphee.net> wrote: > >>>>>>>> 'most dangerous' --... with help from friends-- > >>>>>>>> > >>>>>>>> Vera Zasulich, Hélène Cixhous, Patti Smith, Judith Butler > >>>>>>>> Amelia Bloomer, Scheherazade, Rosa Robata, Sofia Perovskaya > >>>>>>>> Lilith, Hildegard of Bingen, Carolee Schneemann, Adrian Piper > >>>>>>>> Cindy Sherman, Julian of Norwich, bel hooks, Camille Paglia > >>>>>>>> Jingyu Xiang,Vivienne Westwood, Isak Dinesen, Jeanne d'Arc > >>>>>>>> Gertrude Stein, Duygy Asena , Donna Haraway, Maria Callas > >>>>>>>> Grace Paley, Colette, Margaret Atwood, Regina Jose Galindo > >>>>>>>> Leslie Marmon Silko, Eliabeth Cady Stanton, Nan Goldin, Linda > Nochlin > >>>>>>>> Boadicea, Lee Lozano, Sofia Perovskaya, Valie Export > >>>>>>>> Hannah Wilke,Rosa Robata,Lee Krasner,Lourdes Casal Valdes > >>>>>>>> Tracey Emin, Scheherazade,Billie Holliday, Amelia Bloomer > >>>>>>>> Marina Abramovic, Angela Davis, Edie Sedgwick, Jessica Mitford > >>>>>>>> Marguerite Duras, Phoolan Devi, Joan Didion, Felipa de Souza > >>>>>>>> Kate Millett, Pina Bausch, Charlotte Corday, Lidia Cabrera > >>>>>>>> > >>>>>>>> yet there are more.... > >>>>>>>> > >>>>>>>> > >>>>>>>> > >>>>>>>> On Mar 5, 2011, at 9:42 PM, christina wrote: > >>>>>>>> > >>>>>>>> Something is happening when a field becomes visible-- a field of > women in Bahrain countering a police line, a field of women in Ivory Coast > (shot down, six)--it's impossible not to speak of > >>>>>>>> this new site of action. Remember when the only (s)hero job for > women in the intifada was to get oneself blown up? > >>>>>>>> > >>>>>>>> > >>>>>>>> Two days from now will be March 8-- Internatinal Women's Day > Centenary 1911-2011. http://www.internationalwomensday.com/ > >>>>>>>> > >>>>>>>> What happens when finally enough people start to have faith that > it actually matters for half of humankind to have human rights? > >>>>>>>> > >>>>>>>> How does this field become visible? > >>>>>>>> > >>>>>>>> > >>>>>>>> > >>>>>>>> > >>>>>>>> > >>>>>>>> _______________________________________________ > >>>>>>>> empyre forum > >>>>>>>> empyre@lists.cofa.unsw.edu.au > >>>>>>>> http://www.subtle.net/empyre > >>>>>>>> > >>>>>>>> _______________________________________________ > >>>>>>>> empyre forum > >>>>>>>> empyre@lists.cofa.unsw.edu.au > >>>>>>>> http://www.subtle.net/empyre > >>>>>>>> > >>>>>>>> > >>>>>>>> > >>>>>>>> -- > >>>>>>>> http://anavaldes.wordpress.com > >>>>>>>> http://passagenwerk.wordpress.com > >>>>>>>> http://caravia.stumbleupon.com > >>>>>>>> http://www.crusading.se > >>>>>>>> Gondolgatan 2 l tr > >>>>>>>> 12832 Skarpnäck > >>>>>>>> Sweden > >>>>>>>> tel +468-943288 > >>>>>>>> mobil 4670-3213370 > >>>>>>>> > >>>>>>>> > >>>>>>>> "When once you have tasted flight, you will forever walk the earth > with your eyes turned skyward, for there you have been and there you will > always long to return. > >>>>>>>> — Leonardo da Vinci > >>>>>>>> _______________________________________________ > >>>>>>>> empyre forum > >>>>>>>> empyre@lists.cofa.unsw.edu.au > >>>>>>>> http://www.subtle.net/empyre > >>>>>>> > >>>>>> > >>>>>> _______________________________________________ > >>>>>> empyre forum > >>>>>> empyre@lists.cofa.unsw.edu.au > >>>>>> http://www.subtle.net/empyre > >>>>>> > >>>>>> > >>>>>> > >>>>>> -- > >>>>>> http://anavaldes.wordpress.com > >>>>>> http://passagenwerk.wordpress.com > >>>>>> http://caravia.stumbleupon.com > >>>>>> http://www.crusading.se > >>>>>> Gondolgatan 2 l tr > >>>>>> 12832 Skarpnäck > >>>>>> Sweden > >>>>>> tel +468-943288 > >>>>>> mobil 4670-3213370 > >>>>>> > >>>>>> > >>>>>> "When once you have tasted flight, you will forever walk the earth > with your eyes turned skyward, for there you have been and there you will > always long to return. > >>>>>> — Leonardo da Vinci > >>>>>> _______________________________________________ > >>>>>> empyre forum > >>>>>> empyre@lists.cofa.unsw.edu.au > >>>>>> http://www.subtle.net/empyre > >>>>> > >>>>> _______________________________________________ > >>>>> empyre forum > >>>>> empyre@lists.cofa.unsw.edu.au > >>>>> http://www.subtle.net/empyre > >>>> _______________________________________________ > >>>> empyre forum > >>>> empyre@lists.cofa.unsw.edu.au > >>>> http://www.subtle.net/empyre > >>> > >>> _______________________________________________ > >>> empyre forum > >>> empyre@lists.cofa.unsw.edu.au > >>> http://www.subtle.net/empyre > >> > >> _______________________________________________ > >> empyre forum > >> empyre@lists.cofa.unsw.edu.au > >> http://www.subtle.net/empyre > > > > _______________________________________________ > > empyre forum > > empyre@lists.cofa.unsw.edu.au > > http://www.subtle.net/empyre > _______________________________________________ > empyre forum > empyre@lists.cofa.unsw.edu.au > http://www.subtle.net/empyre >
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