James,

There are many people on this list who are excellent photographers, and many 
like yourself who discount their own abilities.  Most of the images posted here 
are designed to illustrate the posts and document the trees and places they 
have seen.  This is an appropriate choice of the use of photography in this 
context.  There is less of a focus on photography as an art.  A photographer 
has a set of tools to use when creating an image - and I am not talking about 
his camera.  He has choices to make and these choices are the real tools in the 
art of photography. these are what makes the difference between an average 
image and a great one.  He can choose how to frame an image, overall 
composition, how to deal with light, brightness, shadow, and color temperature, 
depth in the image, color or lack of color in the image, patterns in the image, 
and textures of objects in the image.  He can choose how to combine multiple 
images into a single one.  

If there is a fantastic scene anyone can snap a good photograph.  However, that 
is not what makes a great photograph.  If you have a grand scene, one goal is 
to try to capture the grandeur of the scene, the power that you are seeing.  If 
the image doesn't accomplish that ideal, it may still be nice picture, but in 
some ways it is a failure.  A photo of the Grand Canyon doesn't just need to be 
in focus, it needs to be "Grand."  An image of an old growth forest doesn't 
just need to be lit properly, it needs to capture the "primordial feel" of age. 
You need to capture to power of the scene to be a true success.

The other end of the spectrum deals with smaller vignettes of a scene.  What 
these need to show are the pieces of the broader scene that tell a story in and 
of themselves.  They need to capture not the power, but the "soul" of scene 
being photographed.  Flowers sprouting from a burned log, for example might 
illustrate the cycle of fire death and rebirth in a forest.  One final 
consideration is how to capture the essence of nature in the mundane setting of 
forests that have been cut over and over again.  This is a challenge faced by 
us in many trips to the forest and the real test of how good of an eye you have 
for photography.

I think if a photographer is trying to achieve an artistic success, they must 
try to capture both the grandeur and soul of a scenes in a portfolio of images, 
rather than simply collecting a series of pretty images. 

Ed


"Two roads diverged in a yellow wood, And sorry I could not travel both. "
Robert Frost (1874-1963). Mountain Interval. 1920. 
  ----- Original Message ----- 
  From: James Parton 
  To: ENTSTrees 
  Sent: Friday, November 14, 2008 1:23 PM
  Subject: [ENTS] Re: Desktop - wallpaper



  Ed,

  Thanks for the compliment. Photography is just a hobby for me. Both
  Jarrid & Miles both easily exceed my abilities.

  James P.

  On Nov 14, 1:05 pm, "Edward Frank" <[EMAIL PROTECTED]> wrote:
  > Ents,
  >
  > James Parton has uploaded a very nice autumn photo of maidenhair Gingko and 
willow oak leaves to the files page of the Google Groups site:
  >
  > Maidenhair+Autumn.JPG
  >
  > http://entstrees.googlegroups.com/web/Maidenhair+Autumn.JPG?hl=en&gda...
  >
  > If this link doesn't work, just go to the Google 
sitehttp://groups.google.com/group/entstrees?hl=enand look for it under the 
Files section.
  >
  > The file is 1440 x 957 pixels in size (1.4 MB) so it is large enough for 
most screens and sharp.
  >
  > Ed Frank
  >
  > "Two roads diverged in a yellow wood, And sorry I could not travel both. "
  > Robert Frost (1874-1963). Mountain Interval. 1920.
  >
  > Maidenhair+Autumn_sm.jpg
  > 27KViewDownload
  
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