Ed,

Very well said. You are obviously a photographer, in every since of
the word.

James

On Nov 14, 2:25 pm, "Edward Frank" <[EMAIL PROTECTED]> wrote:
> James,
>
> There are many people on this list who are excellent photographers, and many 
> like yourself who discount their own abilities.  Most of the images posted 
> here are designed to illustrate the posts and document the trees and places 
> they have seen.  This is an appropriate choice of the use of photography in 
> this context.  There is less of a focus on photography as an art.  A 
> photographer has a set of tools to use when creating an image - and I am not 
> talking about his camera.  He has choices to make and these choices are the 
> real tools in the art of photography. these are what makes the difference 
> between an average image and a great one.  He can choose how to frame an 
> image, overall composition, how to deal with light, brightness, shadow, and 
> color temperature, depth in the image, color or lack of color in the image, 
> patterns in the image, and textures of objects in the image.  He can choose 
> how to combine multiple images into a single one.  
>
> If there is a fantastic scene anyone can snap a good photograph.  However, 
> that is not what makes a great photograph.  If you have a grand scene, one 
> goal is to try to capture the grandeur of the scene, the power that you are 
> seeing.  If the image doesn't accomplish that ideal, it may still be nice 
> picture, but in some ways it is a failure.  A photo of the Grand Canyon 
> doesn't just need to be in focus, it needs to be "Grand."  An image of an old 
> growth forest doesn't just need to be lit properly, it needs to capture the 
> "primordial feel" of age. You need to capture to power of the scene to be a 
> true success.
>
> The other end of the spectrum deals with smaller vignettes of a scene.  What 
> these need to show are the pieces of the broader scene that tell a story in 
> and of themselves.  They need to capture not the power, but the "soul" of 
> scene being photographed.  Flowers sprouting from a burned log, for example 
> might illustrate the cycle of fire death and rebirth in a forest.  One final 
> consideration is how to capture the essence of nature in the mundane setting 
> of forests that have been cut over and over again.  This is a challenge faced 
> by us in many trips to the forest and the real test of how good of an eye you 
> have for photography.
>
> I think if a photographer is trying to achieve an artistic success, they must 
> try to capture both the grandeur and soul of a scenes in a portfolio of 
> images, rather than simply collecting a series of pretty images.
>
> Ed
>
> "Two roads diverged in a yellow wood, And sorry I could not travel both. "
> Robert Frost (1874-1963). Mountain Interval. 1920.
>
>
>
>   ----- Original Message -----
>   From: James Parton
>   To: ENTSTrees
>   Sent: Friday, November 14, 2008 1:23 PM
>   Subject: [ENTS] Re: Desktop - wallpaper
>
>   Ed,
>
>   Thanks for the compliment. Photography is just a hobby for me. Both
>   Jarrid & Miles both easily exceed my abilities.
>
>   James P.
>
>   On Nov 14, 1:05 pm, "Edward Frank" <[EMAIL PROTECTED]> wrote:
>   > Ents,
>
>   > James Parton has uploaded a very nice autumn photo of maidenhair Gingko 
> and willow oak leaves to the files page of the Google Groups site:
>
>   > Maidenhair+Autumn.JPG
>
>   >http://entstrees.googlegroups.com/web/Maidenhair+Autumn.JPG?hl=en&gda...
>
>   > If this link doesn't work, just go to the Google 
> sitehttp://groups.google.com/group/entstrees?hl=enandlook for it under the 
> Files section.
>
>   > The file is 1440 x 957 pixels in size (1.4 MB) so it is large enough for 
> most screens and sharp.
>
>   > Ed Frank
>
>   > "Two roads diverged in a yellow wood, And sorry I could not travel both. "
>   > Robert Frost (1874-1963). Mountain Interval. 1920.
>
>   > Maidenhair+Autumn_sm.jpg
>   > 27KViewDownload- Hide quoted text -
>
> - Show quoted text -
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