----- Original Message ----- 
From: "Robert M." <[EMAIL PROTECTED]>
I agree with you on all the items in your email. I am not sure what you
suggest in the above paragraph, though. Are you saying that Canon actually
stores all 3 color components for each pixel, i.e. they already interpolate
the missing color information, and then store this image in a regular
lossless compressed tiff format embedded in their raw files? I THINK this is
not what Canon is doing. The reason is that the file sizes seem too small
for this to be true. If you lossless compress a typical image the
compression rate is usually less then 2 even when using fairly sophisticated
algorithms. The raw files from Canon are considerably smaller then that even
taking into account all the other information you mentioned above, i.e.
SensorSize*12bits*3/Raw image size > 2.

My GUESS is that Canon might use a compressed TIFF format on the luminance
data for each channel, i.e. a gray-scale image and add all kinds of
information to it. Basic processing like dark current correction,
compensation for non-linearity, etc. is already done before the file is
compressed.

In any case, if you find that information about the Canon raw format I would
be very interested.
--

Me, too, 'cause I don't think the above is correct either.

My guess, since we are guessing, is that a RAW file is simply a LZW
compressed TIFF that has not had all the camera settings applied. Let's
break it down into the simplest terms.

- The sensor captures the RAW RGB data.
- The sensor interpolates the image to create all the missing red & blue
color (I think green has the most pixels, can't remember).
- The camera applies tone curves to the image for ISO & white balance etc.
- The camera saves the image as RAW, RAW + JPG, or JPG.

So, a RAW file would be the RAW RGB data captured by the sensor along with,
but separated from, all the camera settings.

Just my guess ...

Mike

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