From: [email protected] 
[mailto:[email protected]] On Behalf Of Telmo Menezes
Sent: Saturday, April 18, 2015 11:30 PM
To: [email protected]
Subject: Re: Food for thought

 

 

Current global growth estimates are that every two days, the world is now 
creating as much new digital information as all the data ever created from the 
dawn of humans through the current century. It has been estimated that by 2020, 
the size of the world’s digital universe will be close to 44 trillion gigabytes


If I take a picture with my smartphone is that counted as "creating 
information"?

 

I suspect it is, but we must remember that not everything that can be counted 
counts.

 

What about the masterpiece that nobody ever sees, hears or reads? I am sure 
many great works of thought have been utterly lost and many more have never 
been experienced outside of the brains of their creators. Perhaps some 
fundamental theoretical work is even now languishing in utter obscurity. Is 
this “creating information” or does “creating information” depend on it 
becoming consumed (and entangled with other streams of information)?

 

I find the term "create information" a bit nonsensical, because the only way to 
not do it is by being dead. Otherwise, everything you can conceivably do 
creates information. It's almost a synonym for "existing", no?

 

On one level anything that is stored becomes information (even though – I think 
we all agree – that by far the greatest portion of this massive stream of 
“information” being generated is of small consequence. If it can be gathered, 
stored, transmitted, transformed then on one level it qualifies as information 
(most information is not useful information) 

 

At a sociological level, perhaps what is more important is a more Darwinian 
approach: what information gets copied and how much? The 44 trillion gigabytes 
digital universe cited above is a highly redundant repository, where such 
processes take place. Most of it, of course, is photos of cats, trivial 
personal messages about meeting for lunch and things like that. The shape of 
the Eiffel Tower is very successful, and gets copied daily by hordes of 
tourists photographing it.

 

Agreed, by far most of the information being generated is unoriginal by most 
measures. An increasing portion of the information stream is not even human 
generated. For example the continuous stream of current geo-location data being 
slurped up by various corporations such as Facebook, Google, Microsoft, etc. as 
well as by local, state, and federal police and security agencies. The reams of 
data being generated by rfid chips embedded in products as they travel through 
distribution channels and warehouses, floor racks in department stores. This 
space is exploding; it is generally called the internet of things, and it 
includes all the things that have and are rapidly becoming rfid identified (and 
time/geo-located) 

The information streams also include all of the machine (algorithmically 
generated) metadata and associative data that becomes overlaid over the 
original data streams, providing additional context to it and graphing it into 
many various orthogonal association networks.

 

I think it's hard to say if this information storage explosion is good or bad 
for the fate of obscure masterpieces. On one hand, it facilitates their spread 
once they attain some success. On the other hand, it makes it hard for the 
initial success to happen, because there is so much other stuff.

 

I tend to think it is not so good for the obscure masterpiece. In vast 
connected networks of interacting nodes a network effect begins to shape a 
topology and well connected nodes tend to accumulate more connections and this 
promotes a positive feedback mechanism. The obscure unconnected node is not 
favored by this process. The network effect operates in many systems; for 
example planetary formation from the circulating whirling disks of small grains 
of dust and gases circling a newly forming star system. The nodes (in this vast 
circling network of dust grain nodes) that randomly clump into larger masses 
will accumulate more nodes of dust at a far higher rate than the lone 
unconnected grain of dust. The network effect is an important factor to 
consider.

Chris

 

 

Telmo.

 

 

Chris

 

Telmo.

 


Brent

 

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