Hola,

Que casualidad hoy en la mannana vi un articulo de
este libro en el Leonardo Music Journal.

Saludos,

Jose.

--- Juan I Reyes <[EMAIL PROTECTED]> wrote:

> 
> En referencia al famoso problema entre el arte
> sonoro y la música. Me
> acabo de encontrar este resumen hecho por Gareth Loy
> que es uno de los
> gurus del "Computer Music". Su libro "Musicmathics"
> es otra de esas
> biblias que hay tiene que tener para desenvolverse
> en esta jungla.
> Gareth Loy fue del grupo de Andy Moorer y John
> Chowning en Stanford y
> luego ellos con George Lucas crearon THX y Sonic
> Solutions.
> 
> Una pregunta buena al respecto sería: 
> 
> ¿ y que pasa con el oído absoluto ?
> 
>
====================================================================
> 
> How is it that we ended up with the 12-note scale? 
> Why are their  
> variations, and why do cultures make different
> choices?  It's all  
> based on psychoacoustics.
> 
> Musical Scale Designers -- the First
> Psychoacousticians
> 
> Principles of psycoacoustics and information theory
> are fundamental  
> to the design of musical scales used the world over
> and through  
> history, and historical scale designers were
> arguably the first  
> psychoacousticians.  Musical scales are also the
> quintessential  
> introduction to the mathematics of music, a subject
> that is  
> arbitrarily deep and completely rewarding.
> 
> Questions entertained will include: why are musical
> scales organized  
> the way they are? Why is most Western music based on
> scales made up  
> of seven tones but there are twelve tones per
> octave? What does  
> “equal-tempered� mean, and why after
all these
> centuries is it still  
> controversial? What choices have other cultures made
> about  
> intonation, and why? What can we learn about
> ourselves, our music,  
> and our culture by taking a careful look at the
> underlying mathematics?
> 
> If I have the time, I'll finish off with a small
> discovery regarding  
> the construction of the 22-sruti Hindu scale.
> 
> Gareth Loy is the author of Musimathics (two
> volumes) published by  
> the MIT Press.  Somewhere between a tutorial and a
> desk reference,  
> Musimathics is an encompassing review of a wide
> range of mathematical  
> disciplines relevant to music including (vol. 1)
> acoustics,  
> psychoacoustics, musical scales, musical instrument
> design,  
> composition, and (vol. 2) signal processing.
> 
> 
> 
> 
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