tengo dificultades aun para entender toda la litaratura atras de la sinfonía
Fantastica de sherezada....me da nauceas pensar en la teoria escondida
detras de todo acto estético ... por mi los de la future music.... los de
stanford, los mafiosos del ircam... y todos estos ociosos que se extraviaron
en la musica ,, para producir un pip.. se pueden ir al carajo
2007/5/17, [EMAIL PROTECTED] <[EMAIL PROTECTED]>:
Hola,
Que casualidad hoy en la mannana vi un articulo de
este libro en el Leonardo Music Journal.
Saludos,
Jose.
--- Juan I Reyes <[EMAIL PROTECTED]> wrote:
>
> En referencia al famoso problema entre el arte
> sonoro y la música. Me
> acabo de encontrar este resumen hecho por Gareth Loy
> que es uno de los
> gurus del "Computer Music". Su libro "Musicmathics"
> es otra de esas
> biblias que hay tiene que tener para desenvolverse
> en esta jungla.
> Gareth Loy fue del grupo de Andy Moorer y John
> Chowning en Stanford y
> luego ellos con George Lucas crearon THX y Sonic
> Solutions.
>
> Una pregunta buena al respecto serÃa:
>
> ¿ y que pasa con el oÃdo absoluto ?
>
>
====================================================================
>
> How is it that we ended up with the 12-note scale?
> Why are their
> variations, and why do cultures make different
> choices? It's all
> based on psychoacoustics.
>
> Musical Scale Designers -- the First
> Psychoacousticians
>
> Principles of psycoacoustics and information theory
> are fundamental
> to the design of musical scales used the world over
> and through
> history, and historical scale designers were
> arguably the first
> psychoacousticians. Musical scales are also the
> quintessential
> introduction to the mathematics of music, a subject
> that is
> arbitrarily deep and completely rewarding.
>
> Questions entertained will include: why are musical
> scales organized
> the way they are? Why is most Western music based on
> scales made up
> of seven tones but there are twelve tones per
> octave? What does
> “equal-tempered� mean, and why after
all these
> centuries is it still
> controversial? What choices have other cultures made
> about
> intonation, and why? What can we learn about
> ourselves, our music,
> and our culture by taking a careful look at the
> underlying mathematics?
>
> If I have the time, I'll finish off with a small
> discovery regarding
> the construction of the 22-sruti Hindu scale.
>
> Gareth Loy is the author of Musimathics (two
> volumes) published by
> the MIT Press. Somewhere between a tutorial and a
> desk reference,
> Musimathics is an encompassing review of a wide
> range of mathematical
> disciplines relevant to music including (vol. 1)
> acoustics,
> psychoacoustics, musical scales, musical instrument
> design,
> composition, and (vol. 2) signal processing.
>
>
>
>
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--
Julio Sha
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