> for his big stage effects, but the man's real genius was with
> his close-up magic.  I was two feet in front of him, able to
> move around and look at his hands from any angle I chose,
> and I still couldn't figure out how he did it.

In Colo. I used to watch "Doc" do his bar majic in Snowmass.  After a
while I would just look at his "other" hand. That's where the trick
was.  It was right in front of you. Simple misdirection.  This is a
lesson I have enjoyedly applied to life. Look for the background or
the less obvious.  That's were the action is taking place.

lurk

----So is that like reverse Occam's razor?


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