On 05/31/2013 05:34 AM, Mike Dixon wrote: > Never was good at paradiddles! > > > From: card <[email protected]> > To: [email protected] > Sent: Friday, May 31, 2013 12:33 AM > Subject: [FairfieldLife] "Bloody" history of drum rudiments > > > > http://en.wikipedia.org/wiki/Swiss_Army_Triplet > > History [edit] > > The origin of snare rudiments can be traced back to Swiss mercenaries armed > with long polearms. The use of pikes in close formation required a great deal > of coordination. The sound of the tabor was used to set the tempo and > communicate commands with distinct drumming patterns. These drumming patterns > became the basis of the snare drum rudiments. > The first written rudiment goes back to the year 1612 in Basel, > Switzerland.[1] The cradle of rudimental drumming is said to be France, where > professional drummers became part of the King's honour guard in the 17th and > 18th centuries. The craft was perfected during the reign of Napoleon I. Le > Rigodon is one of the cornerstones of modern rudimental drumming.[1] > There have been many attempts to formalize a standard list of snare drum > rudiments. The National Association of Rudimental Drummers, an organization > established to promote rudimental drumming, put forward a list of 13 > essential rudiments, and later a second set of 13 to form the original 26. > The Percussive Arts Society reorganized the first 26 and added another 14 to > form the current 40 International Drum Rudiments.[when?] Currently, the > International Association of Traditional Drummers is working to once again > promote the original 26 rudiments.[citation needed] > Today there are four main Rudimental Drumming cultures: Swiss Basler > Trommeln, Scottish Pipe Drumming, American Ancient Drumming, and American > Modern Drumming.[citation needed]
Drum rudiments are like mantras, they become easier the more you practice them. They are the scales of drumming. Basically they are a collection of possible hand patterns that can be played and there are lots of permutations on the original rudiments. As with many of the rudiments you should learn to play paradiddles by feel rather than keep the mind involved. Para-diddle-diddles are very useful when spread around the toms. Keep your left hand on the snare and move the right around the toms for a flashy pattern.
