--- In [email protected], Peter <[EMAIL PROTECTED]> wrote:
>
> 
> 
> --- Patrick Gillam <[EMAIL PROTECTED]> wrote:
> 
> > --- Peter wrote:
> > > 
> > > --- Alex Stanley wrote:
> > > > 
> > > > There's also the Rube Goldberg Honda commercial:
> > > > 
> > > > http://tinyurl.com/leh5z
> > > > 
> > > > I remember reading an article about that
> > commercial
> > > > when it first came
> > > > out, and it was also not CGI. They just did take
> > > > after take after
> > > > take, for hours on end, and finally it worked
> > > > perfectly, and the crew
> > > > was stunned when it finally worked.
> > > 
> > > Having worked in TV production for many years in
> > my
> > > first career, I doubt such a complex sequence
> > would be
> > > left to chance and shot over and over again until
> > it
> > > came out right. It would cost way too much because
> > of
> > > the time involved. A producer would say ,"NO WAY"
> > to
> > > the expense. I believe the production story is
> > just a
> > > fun, false story. 
> > 
> > The Honda spot's entitled "Cog." The industry press 
> > made a big deal of its authenticity at the time.
> > 
> > Here's a summary, for example:
> > 
> > "To create "Cog," Weiden & Kennedy assembled a 
> > team of engineers, sculptors, art directors, and 
> > film pros. It took one month to draft the script, 
> > two months for concept drawings and storyboards, 
> > and four more months of development and testing. 
> > Filming took place over four days and nights in a 
> > huge studio in Paris France. After 605 takes (yes, 
> > six hundred and five), they finally got it right on 
> > the 606th."
> > 
> > http://tinyurl.com/qfnj7
> 
> Well, maybe it is true, but I struggle with it!
> Someone had too much money to burn.
> 
>

Yep. What many people don't understand is that shiny metal is one of the 
easiest things to 
do with CGI. Organic/living modeling, like the URLs of the still-lifes of the 
women that I 
posted, is probably the hardest.





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