cardemaister wrote:
> Am7 Dm7 G7 Cmaj9
> Fmaj7 Bm7b5 Esus4 E7
>
> Jesus, but that Esus sounds
> great when I "play" that tune
> with "techni-chord" on!  :D
The progression is a simple cycle of fourths and therefore open to a lot 
of workable chord substitutions.  Here is a little jazzier version:
A-9 D-9 G13 C 9/6
Fmaj7b5 B-7b5 Esus4 E7

It also works if you pivot between the B diminished a E7 variations.  
Experiment with varieties that enhance the melody and provide more 
underlying tension for greater emotional support.



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