Going gaunt, but still gold.

**

--- In FairfieldLife@yahoogroups.com, "curtisdeltablues"
<[EMAIL PROTECTED]> wrote:
>
> --- In FairfieldLife@yahoogroups.com, "Marek Reavis" <reavismarek@>
> wrote:
> >
> > Curtis, I hadn't made the connections before but, hmmm, now that you
> > mention it . . .
> > 
> > Anyway, here is an image of the Buddha of anorexics everywhere through
> > time: 
> > 
> > http://tinyurl.com/3ano7b
> 
> Dude has taken the whole Hollywood heroin chic look a bit far don't ya
> think?  
> 
> 
> 
> > 
> > **
> > 
> > --- In FairfieldLife@yahoogroups.com, "curtisdeltablues"
> > <curtisdeltablues@> wrote:
> > >
> > > "one of my favorite images is the emaciated Buddha;"
> > > 
> > > The Alley McBuddha?
> > > 
> > > dated TV reference but worth a shot.  I first tried the more
> > > contemporary "Nicole Richie - Buddha" contractions but gave up. 
> > > 
> > > 
> > > 
> > > 
> > > --- In FairfieldLife@yahoogroups.com, "Marek Reavis" <reavismarek@>
> > > wrote:
> > > >
> > > > Turq, thanks for the visit to your new pad. I'll definitely
visit in
> > > > real time, should that opportunity present.
> > > > 
> > > > As re the Buddhas; one of my favorite images is the emaciated
> Buddha;
> > > > do you have any of those in your collection? 
> > > > 
> > > > **
> > > > 
> > > > --- In FairfieldLife@yahoogroups.com, TurquoiseB <no_reply@>
wrote:
> > > > >
> > > > > 
> > > > > So. Moving to Spain.
> > > > > 
> > > > > Where does one start?
> > > > > 
> > > > > Probably back in August, juggling the preparation for 
> > > > > the move with a month of 60-hour workweeks because my 
> > > > > mathematical programming/optimization project started 
> > > > > running on chaos theory math instead of MP and MIP and 
> > > > > QP and CP and went seriously postal on us. Bugs out the 
> > > > > wazoo, simultaneous with on-the-fly design changes. It 
> > > > > has been said, and with some veracity, that writing 
> > > > > software documentation is like changing a tire on a 
> > > > > moving car. This one was an F1 car, with serious AI 
> > > > > nerds as drivers, and we lowly tech writers were 
> > > > > reduced to running alongside carrying the tire at 300 
> > > > > kph while the developers kept changing the GUI -- and 
> > > > > thus the documentation -- over and over and over and 
> > > > > over and over and over and over and...well you get 
> > > > > the point. 
> > > > > 
> > > > > So it was potentially a trying period, full of many 
> > > > > good reasons for stress. But funnily enough, I really 
> > > > > didn't feel all that stressed out. The vision to move 
> > > > > to Spain was just too strong and too omnipresent to 
> > > > > feel much of anything but anticipation.
> > > > > 
> > > > > And now I'm here, and all the anticipation barely 
> > > > > scratched the surface.
> > > > > 
> > > > > The call to move here was just so strong and so clear 
> > > > > that I just couldn't work up a strong sense of worry 
> > > > > about it, try as I might. And damned if Lady Luck or 
> > > > > the gods or chaos theory math or whomever/whatever runs 
> > > > > these things wasn't listening, because there really 
> > > > > wasn't that much to worry about. Oh sure, the truck 
> > > > > broke down a few times and the truck rental people were 
> > > > > real shitheads, but friends helped with the box toting 
> > > > > on both ends, and in the end many hands made for light 
> > > > > work, and work full of light. 
> > > > > 
> > > > > And then afterwards we went out and had a wonderful 
> > > > > dinner of tapas, after which Eduardo took us to a little 
> > > > > chiringuito bar in a port village south of Sitges (a 
> > > > > designer paradise about which you will undoubtedly hear 
> > > > > more...much, much, much more), and we partied until 3:00 
> > > > > in the morning, surrounded by Buddhas and weird Brazilian 
> > > > > drinks called caipiriñas and wonderful waitresses, all of 
> > > > > whom seemed to be called Carmen. Welcome to Spain.
> > > > > 
> > > > > And now here I sit in my garden at 1:00 in the morning, 
> > > > > writing this, drinking a glass of -- I simply can't believe 
> > > > > I'm saying this -- local wine that we got at LIDL for 49 
> > > > > centimes a bottle. And it's not only drinkable wine, it's 
> > > > > not bad at all. I've tasted worse Napa Valley wines at 20 
> > > > > bucks a bottle. Go figure. At dinner the other night I 
> > > > > tasted a *much* better local wine (way over the top, 
> > > > > financially, a red from Ribera del Duero at 13.50 Euros 
> > > > > a bottle) that put most of the wines I'd tasted in France 
> > > > > over the last few years in the shade. 
> > > > > 
> > > > > Back to the garden. It's the real reason I moved here. I 
> > > > > saw a photo of this garden in a real estate office and my 
> > > > > first thought -- literally the first thing that popped 
> > > > > into my mind -- was, "Uh-oh. That's my garden."
> > > > > 
> > > > > And, as it turned out, it was. 
> > > > > 
> > > > > Suffice it to say that this is not the first time this has 
> > > > > happened to me with regard to finding new places to live. 
> > > > > Once, at a meeting with Rama in Chicago, he got a wild hair 
> > > > > up his ass and announced that he was moving back to the 
> > > > > Boston area, and that anyone who wanted to come was welcome 
> > > > > to do so. Those words were no sooner out of his mouth but 
> > > > > I had this Class A vision of standing and looking out of a 
> > > > > plate-glass window at a U-shaped rocky beach, and the ocean. 
> > > > > It only lasted a second, but it was so *real* for that 
> > > > > second. 
> > > > > 
> > > > > I mainly forgot about it, but I kinda liked the idea of 
> > > > > moving away from Chicago anyway with Winter approaching, so 
> > > > > when business drew me to Boston a few weeks later, I booked 
> > > > > an extra day in the area and spent it driving around to see 
> > > > > what it would be like to live in 'hoods other than Back Bay 
> > > > > or the boring-assed Boston Burbs, both of which I had Been 
> > > > > There Done That with. And so I found myself driving on a 
> > > > > whim to Marblehead and parking my car and, as I got out of 
> > > > > it, noticing that I'd parked next to a real estate office. 
> > > > > Still feeling that wild-hair-up-your-assness thang, I 
> > > > > walked in and asked whether they ever had rental properties 
> > > > > right on the ocean.
> > > > > 
> > > > > They laughed at me. Four of them -- seasoned Marblehead real 
> > > > > estate professionals all. And then this voice emerged from 
> > > > > a back office saying, "I just got one. This lady just phoned 
> > > > > and has an apartment on the water on Marblehead Island." The 
> > > > > laughing dropped in its tracks, like a poleaxed steer. The 
> > > > > mysterious-voiced lady (on her first day with the agency) 
> > > > > and I drove there. I walked in the door, turned to my left, 
> > > > > and found myself looking out of the same plate-glass window 
> > > > > at the same beach I had seen in my brief vision. Suffice it 
> > > > > to say I rented the place.
> > > > > 
> > > > > It wasn't quite that spectacular with Sitges, just a *feeling* 
> > > > > that I was onto something here -- vibe- and power-wise -- and 
> > > > > that I should investigate it further. I did, went to a few 
> > > > > real estate offices to see what was available and at what 
> > > > > prices, and was disappointed with both. But on my last day 
> > > > > in town on that first visit, I walked into yet another real 
> > > > > estate office and yet another mysterious-voiced lady (also -- 
> > > > > no shit -- on her first day with the agency) showed me a 
> > > > > photograph on her computer monitor that just fuckin' Closed 
> > > > > The Deal.
> > > > > 
> > > > > The apartment is nice in itself -- three bedrooms, clean, lots 
> > > > > of good space to work with when finding places for my art -- 
> > > > > on literally the busiest pedestrian street in Sitges. Step 
> > > > > outside the front door, and you are assaulted by the sound 
> > > > > of techno and the crush of pedestrians of every size, shape, 
> > > > > ethnic background and sexual orientation you can possibly 
> > > > > imagine. Step back inside the front door, close it, and the 
> > > > > noise of the street is just gone. Over, toast, the memory of 
> > > > > once having had a memory. Keep stepping inside, up one flight 
> > > > > of stairs and into the apartment and then *keep* walking, 
> > > > > through the apartment and out onto the balcony and look down, 
> > > > > and what you're looking at is a 9 by 16-meter private garden. 
> > > > > Completely silent. Like Canyon de Chelly is silent -- quiet,
> > > > > but with an omnipresent background hum of power, like the
> > > > > drone in a raga. In the middle of a busy, bustling beach town, 
> > > > > a block from the beach. Go figure. It has lighting and tables 
> > > > > and chairs and a big barbeque pit, and it just sings PARTY! 
> > > > > But it sings quietly, like St. John of the Cross's solitary 
> > > > > bird. It sings of *conversation* parties, not raucous ones. 
> > > > > 
> > > > > It's pretty neat sitting here in that garden tonight, gazng 
> > > > > at my new Buddha. 
> > > > > 
> > > > > I was with my friend Laurel tonight on the way to dinner, and 
> > > > > we walked past a store that had a sign in the window that 
> > > > > said, "Bodhas 50%." 
> > > > > 
> > > > > Some of you may think I'm all jaded and cynical and all, but 
> > > > > lemme tell you, the idea of Buddhas being Marked Down just 
> > > > > stopped me in my tracks and made me laugh out loud. There 
> > > > > were probably 100 different Buddhas in the store, from 
> > > > > various countries and Buddhist traditions in Asia. And when 
> > > > > it comes to Buddhas I'm really picky. I just don't like the 
> > > > > faces on many of them; they're just not having enough FUN. 
> > > > > But in this store tonight I found three. 
> > > > > 
> > > > > Two of them I could carry home with me, but the third was a 
> > > > > half-meter high stone Buddha that weighed a ton. So I asked 
> > > > > the girl if she could wait for a couple of minutes before 
> > > > > closing the store while I ran back to my apartment and got 
> > > > > one of the little rolling carts I use for hauling art. She 
> > > > > agreed, and I did.
> > > > > 
> > > > > So there I was, just a few minutes ago, this weirdass old 
> > > > > American guy, rolling a half-meter-high stone Buddha through 
> > > > > the crowded streets of Sitges at midnight, weaving my Way 
> > > > > amongst people who were just leaving home for an evening out
> > > > > on the town, at that hour. 
> > > > > 
> > > > > I must have looked pretty silly to them. Then again, they 
> > > > > don't always look like the happiest campers in the pup tent 
> > > > > to me, either, with all of this looking for love in all the 
> > > > > hip places stuff. Different strokes for different folks, I 
> > > > > guess. 
> > > > > 
> > > > > Anyway, now I'm back in my garden and the paella at dinner 
> > > > > was good and the glass of wine Here And Now is good and the 
> > > > > new Buddha staring at me from across my garden is good and 
> > > > > life is pretty good, too. 
> > > > > 
> > > > > If you ever find yourself in my 'hood, do drop by. 
> > > > > 
> > > > > I'll splurge and serve you the good wine and we'll sit in 
> > > > > the garden and talk until 1:00 in the morning or so and 
> > > > > have a good old time. 
> > > > > 
> > > > > And *then* we'll go out on the town, and walk along the 
> > > > > beach to the chiringuito bar in Aiguadolç and we'll order 
> > > > > caipiriñas and the conversation will really start taking 
> > > > > off. Bring your own Buddha.
> > > > >
> > > >
> > >
> >
>


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