Ray, I appreciate all writing whether I personally think it's good or not 
because I can't imagine the time and detail that comes into most of what is 
published. People taking 'umbrage' as it's put in opinions they don't care for 
is their own personal issue and not mine to be concerned about over the 
trivial. My initial post was what I see the differences between say, your first 
10 works and the last 17 or whatever are. They're huge (imo).

Want to be offended like so many followers on your list here then that's your 
issue as well and wasn't my intent. Honestly is best in all forms especially 
when no malice was intended and what was considered to be 'trolling' was only 
sought out and found for those wanting to find it. That can be said of any 
comment not to be in line with any ideology or opinion on any subject.


Love your work regardless of what I consider to be changes in the last 30 years 
and look forward to see how you wrap up your saga. As well as any future works.

Lorn


________________________________
 From: Raymond Feist <[email protected]>
To: feistfans-l <[email protected]> 
Sent: Monday, July 16, 2012 8:19 PM
Subject: Re: Macros
 



On Jul 16, 2012, at 5:43 PM, Dan Henby wrote:


>
>Well, criticism is pointless, for a start.  As David Gerrold is fond of 
>telling readers and want to be writers at workshops, "Where the hell were you 
>at 3 am the week before deadline when I needed a better idea?"    It's always 
>in process, so if you want to praise or condemn a work I finished over a year 
>and a half ago, it's your prerogative.  Either way I ignore it because it does 
>me personally no good regarding the craft.  See, if you think quality has 
>fallen off, I've got readers sending me notes and e-mails saying they like the 
>new stuff better than anything I did back in the day.  So, who am I to listen 
>to?  The guy who thinks Magician is the best ever or the guy who thinks 
>Kingdom Besieged is the best ever?  Best advice my dad ever gave me was "If 
>you believe the good reviews, then you've got to believe the bad one's too.  
>So best to not believe any of them."  The first big time review I got was 
>above the fold in the Sunday Book Section
 of the Washington Post, two columns and the guy liked Magician better than my 
mom did.  One week later the book reviewer at the Charlotte Observer pretty 
much said I should be shot for writing in the English language and everyone at 
Doubleday should be fired for publishing Magician.  I think my ex-wife put 
those two side by side in a scrapbook she made for me.  She always had a quaint 
sense of humor.
>>
>>
>>My opinion is you're catching flak not because you liked Magician better than 
>>Besieged, but because you characterized the work as falling off because I'm 
>>bored with the world.  We've never met; you don't know me.  You and I have 
>>never had a conversation about how my process works, what my overall vision 
>>is, or any other meaningful aspect of the story arc, to the best of my 
>>knowledge, yet you presume to characterize it as an aspect of my respect or 
>>lack thereof for the material and my readership.
>>
>>
>>Me, I don't care.  You're free to like what you like.  But apparently some of 
>>the others on this board took umbrage.
>>
>>
>>And I don't debate my work with anyone (save my editor) because the work must 
>>speak for itself.  Which is one of the points I stress with want to be 
>>writers at workshops, i.e. "If you're telling me what you're doing in chapter 
>>4, put it in chapter 4 because you're not going to be standing in every 
>>bookshop on the planet explaining to the buyer what you're doing in chapter 
>>4."
>>
>>
>>I'll take about pretty much anything that interests me, but I'll never debate 
>>the work.
>>
>>
>>Best, R.E.F.
>>
>>----
>>www.crydee.com
>>
>>
>>Never attribute to malice what can satisfactorily be explained away by 
>>stupidity.
>>
>>
>>
>>Ray, I've heard your above story before, and it tells the tale precisely. 
>>Most people want to hear the good reviews and don't want to believe in the 
>>bad ones. But when you have an audience of several million (or whatever) 
>>you're going to find people who love you and who hate you. I prefer the 
>>audience of one.
>
>
>And .....really? Shot for writing in the English language? Wow, that is the 
>harshest thing I've ever read that has been published. Fire an entire 
>department for your book. 
>
>
Well, I exaggerated that a bit . . . Never let the truth get in the way of a 
good story.


I wonder if that reviewer is still working? It would be funny to go back to 
them and see if their opinion has changed.
I have no idea.  It was 30 years ago, after all.



>
>Thanks agin for your hard work.
>
>

You're welcome.

Best, R.E.F.

----
www.crydee.com

Never attribute to malice what can satisfactorily be explained away by 
stupidity.

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