> I just ran into an interesting spot  in a score. Stephen Heller's Prelude
op
> 118 no 32 (Kalmus Classic edition) is in 2/4 time throughout but the last
> two measures are whole note chords with no time signature change.
Apparently

This was fairly common in classical choral music in 4/4, which would end on
a double-whole note.

(It is also possible that the Kalmus engraver just forgot to scribe the
stems, I suppose).

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