I just ran into an interesting spot in a score. Stephen Heller's Prelude op 118 no 32 (Kalmus Classic edition) is in 2/4 time throughout but the last two measures are whole note chords with no time signature change. Apparently this was just simpler than either making four measures with tied half note chords. The intent is clear - in fact I didn't even notice until Finale told me there were too many beats in the measures.
I have not seen this before. Is it something Heller did? Kalmus? Other composers? Richard Yates _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
