Darcy--saw your name in a DownBeat for an award--congratulations!
What was (is) Brookmeyer like as a teacher??
Jim Williams
----- Original Message -----
From: Darcy James Argue <[EMAIL PROTECTED]>
To: Christopher BJ Smith <[EMAIL PROTECTED]>
Sent: Friday, June 14, 2002 12:56 AM
Subject: Re: [Finale] TAN: String fingerings in Pops work?


>
> On Friday, June 14, 2002, at 12:50 AM, Christopher BJ Smith wrote:
>
> > Bowings, well, normally it's the job of the section leaders (who get
> > the parts well ahead of time for that very purpose) to mark in section
> > bowings, then the librarian transfers them to all the parts in the
> > section. They get paid extra money for that. For pops concerts, I
> > suppose if time is short and everyone wants to maximise the rehearsal
> > time, pre-marked bowings would come in handy, but it would take an
> > experienced first chair player to do it effectively, and the expense
> > shouldn't come out of YOUR pocket.
>
> Unfortunately, due to the nature of this contract, they are required to
> submit the parts with bowing indications already on 'em.  Can't say if
> this is now SOP for pops orchestras or the contractor for this specific
> project is just a bad negotiator, but that's the way things seem to have
> shaped up.
>
> > I can assure you that nobody who is not a violinist him/herself marks
> > in bowings on their arrangements. If the contractor/producer/conductor
> > wants the extra help (I think I would if it was me conducting), it's
> > not up to you to be out-of-pocket because of his whim.
>
> Well, the contractor (the band's manager) will not be conducting this
> stuff -- that's up to the various conductors of the various pops
> orchestras.
>
> > Guys like Mancini were pretty raw in the string bowing department (have
> > you seen his book? He says he ran the parts by his favourite concert
> > master, who marked them up for him.
>
> Basically, what it comes down to is this -- either (A) I take *all* of
> the money they have budgeted for this project and then sub-contract one
> of my violinist friends (and violist/cellist/bassist, if necessary) to
> look over my bowings to see if they make sense, or (B) I get paid a
> little bit less and *they* hire a violinist to mark in the bowings.  (A)
> is much preferable, both because I can get this done more economically
> than they could (so I still come out further ahead), and because
> assignment (and the money) would go to a trusted friend and colleague
> rather than some random violinist.  The contract itself is very
> generous, so I don't mind this little bit of extra hassle, especially
> now that I've persuaded him to forget about the whole fingering thing.
>
> - Darcy
>
> -----
> [EMAIL PROTECTED]
> Boston MA
>
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