At 9:31 AM 11/15/02, d. collins wrote:
>What's the standard abbreviation for mezzo-soprano (along the lines of SATB
>for other voices): Ms? Mz? And for baryton?

Depends on where you plan to use it.  If you've got a quartet of soloists,
like in the Verdi Requiem, and you want abbreviated staff labels, then "M."
is definitely standard, along with "S.", "T." and "B.".

For identification of voice type in text, the old Ricordi scores used
lowercase "ms" with no period (along with "s", "t" and "b") in their table
of contents.  I think I've seen baritones as "bar" in that context, but I
can't find an example. Baritone became a standard label right about the
time that they stopped writing numbers operas, so there isn't so much
overlap.

I think "Bar." makes sense as an abbreviation for baritone in just about
any context, but I can't think of any usage where there's a whole lot of
tradition. The idea of a baritone voice isn't so new (early 19th century),
but in most contexts you're going to label the name of the character. In
many other context, the baritone is going to be "B.1", or not labeled at
all.

Incidentally, "mezzosoprano" is a single word in Italian.  The insertion of
the hyphen (as well as the shortening to "mezzo") is an Anglophone
development, which many would argue is simply incorrect.

I would also advise against the spelling "baryton", unless your goal is to
appear (1) French, or (2) pretentious.

mdl


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