Linda Worsley wrote:
At 11:38 PM +0100 2/8/03, Johannes Gebauer wrote:I actually never use it for that. I use it for a situation very typical for
18th century orchestral music: doubling parts. Say you have a flute part
that doubles the violins, instead of making real copies, I simply mirror it,
and every piano or staccato I add to the violin part will automatically be
mirrored in the flute part
And every pizz and arco? Just curious.. Linda
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