On 09.02.2003 0:00 Uhr, Linda Worsley wrote > At 11:38 PM +0100 2/8/03, Johannes Gebauer wrote: > >> I actually never use it for that. I use it for a situation very typical for >> 18th century orchestral music: doubling parts. Say you have a flute part >> that doubles the violins, instead of making real copies, I simply mirror it, >> and every piano or staccato I add to the violin part will automatically be >> mirrored in the flute part > > And every pizz and arco?
Well, in those passages the flute is not really doubling, is it? As soon as you have differences you don't use mirrors. Johannes -- http://www.musikmanufaktur.com http://www.camerata-berolinensis.de _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
