At 6:10 AM 06/18/03, David H. Bailey wrote:

>And where the dictionaries themselves don't agree, what should we do?

Pick one that you like and follow it, of course, just as you would for any
sort of style editing.  This is elementary practice, not unique to music.
You may as well make the same complaint about all writing.

--
At 7:54 PM 06/17/03, Daniel Dorff wrote:

>On one hand that's the long and short of it, but some words are hyphenated
>differently from one dictionary to another, and there are a few composers
>who are rather uncomfortable with using this traditional approach rather
>than breaking phonetically  (i.e., fun-ny is correct although fu-nny is how
>it's sung). Singers may not all consciously notice, but they're
>subconsciously used to the traditional breaks since that's what's almost
>always seen.

Other variations in hyphenation might go unnoticed, but something so
obvious as "fu-nny" I expect would be consciously noticed by just about
anyone.

I've worked with scores using this practice, and my conclusion is that
unless it's a special pedagogic edition, it's a bad idea.  Singing on the
vowel and placing the consonants at the beginning of the next note is a
basic singing concept which needs to be learned separately anyway.  The
collection of singers who would be helped by such a reminder in the
hyphenation is a rather small one, I think, sandwiched between those who
already understand without extra help and those who wouldn't understand
regardless.

The more significant effect is to make the text confusing and less
readable.  If I'm singing a piece and I see "fun-", I know that it's going
to be a word like "funny" or "fundamental" and I'm ready to start singing
"fuh..." as I continue on to see what's next.  If I see "fu-", then it
looks like it will be a word like "future" or "fugitive" and I'm ready to
start singing "fyoo...."  (In practice, all of this is probably happening
reading a bar or two ahead, but the principle is the same.)

Traditional hyphenation really is an indicator of pronunciation, albeit
imperfect. The placement of consonants relative to the hyphen is a strong
predictor of vowel pronunciation. Consider, eg, "dem-o-crat-ic" vs
"de-moc-ra-cy".  In questionable cases, a good guide to follow is to
consider which hyphenation makes it easier to anticipate pronunciation of
the first syllable alone.  Thus, one would choose "ev-er" and "e-ven", but
"o-ver" and "ov-en".  On first glance, that looks inconsistent, but in fact
it reflects the pronunciation perfectly.

mdl


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