This conversation begs the question of whether glisses even *should* avoid accis. In my editions of Bartok String Quartets, the glisses always pierce the noteheads, acci or no. I have actually added extensions to my custom lines to force them to do this, accis be damned.
This is one of the main uses for Finale's ability to move accientals vertically. I have always adhered to the rule that glissando lines must contact the notehead (or at least come nearer to it than any other element) *and* must not collide with accidentals.
-- Andrew Stiller Kallisti Music Press
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