Giovanni Andreani wrote:
I'm working on two compositions to be played, each, on one piano. As
Finale's Setup Wizard don't provide a solution for the exact names to
assign to staffs in this case, and assuming that staff names should be
the same as described on the score's cover page, what would you think is
the most suitable solution between the following?

For one piano to played by two performers:

1.   Piano Duet
2.   Piano Four Hand
3.   Piano Four Hands
4.   Four Hand Piano
5.   Four Hands Piano
6.   Four Hand Piano Music
7.   Four Hands Piano Music
8.   Piano 4 Hand
9.   Piano 4 Hands
10.   4 Hand Piano
11.   4 Hands Piano
12.   4 Hand Piano Music
13.   4 Hands Piano Music


For one piano to played by three performers:

14.   Piano Six Hand
15.   Piano Six Hands
16.   Six Hand Piano
17.   Six Hands Piano
18.   Six Hand Piano Music
19.   Six Hands Piano Music
20.   Piano 6 Hand
21.   Piano 6 Hands
22.   6 Hand Piano
23.   6 Hands Piano
24.   6 Hand Piano Music
25.   6 Hands Piano Music

or whatever else

Thank you
Giovanni Andreani


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For an *English* title of the work. For one piano to played by two performers: Piano Duet or (less common in English) Piano Four Hands

For one piano to played by three performers:
  Piano Six Hands


side note:

Avoid Arabic designations in titles, e.g. "Piano 4 hands" or "Piano 6 hands", these are used in the library classification schemes and are
fine for their heading purposes of shelving designations. It is easy to read these classification schemes and create terms such as "4 hand piano" which is not appropriate for a title since such terms can encompass two different formats (Piano duet and Two Pianos Four Hands).


And yes, there have been many publication of Two Piano Eight Hands so the term "Two Piano Four Hands" is not tautological, in the context of all published music, as suggested in an earlier reply. Most major publishers do not offer two piano eight hand music, so it is easier for them to refer to their offerings of two piano four hand music as "Two Piano" music. This should be discouraged as it eclipses the rich format of two piano eight hands which has been woefully neglected and hopefully will find a place in current repertoire (if I have anything to do with it).

--

John Poole

Editions Poole
http://www.editionspoole.com
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