However, I strongly recommend using the one/two/three-stroke sharps and reverse-flat/falt/mirrored-flat system, if the piece is truly quartertonal. The arrowhead system always seems to me to only imply inflections added to the semitone steps. Then again, this might be what you want!
Darcy James Argue wrote:
My preferred nomenclature for quarter-tones are the sharps, flats, and naturals with arrows extending from them, pointing up or down. However, the glyphs like this included in Maestro Percussion are very difficult to read -- not only do they not match the regular Maestro accidentals, the arrows are so light and so small it's easy to miss them.
Any suggestions for a font with better quarter-tone accidentals in this style?
Regards,
- Darcy ----- [EMAIL PROTECTED] Brooklyn, NY
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