On 27 Oct 2004, at 04:30 PM, Owain Sutton wrote:

However, I strongly recommend using the one/two/three-stroke sharps and reverse-flat/falt/mirrored-flat system, if the piece is truly quartertonal.

Naw -- I mean, not enough to worry about. And those symbols are too confusing for players unused to seeing them, especially in the limited rehearsal time I have.


The arrowhead system always seems to me to only imply inflections added to the semitone steps. Then again, this might be what you want!

Yeah, it's close enough -- so long as people are playing "something between a B and a B flat," thats good enough for my purposes.


- Darcy
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[EMAIL PROTECTED]
Brooklyn, NY

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