On Jan 3, 2005, at 4:00 AM, [EMAIL PROTECTED] wrote:
You are right here.... both are credited as orchestrator. And, yes, John Williams' sketches are very detailed already.
Hmm, there seems to be some difference of opinion on that point. Bruce has weighed in recently with info to the contrary...
I saw that David Hage cleared this up. The notation that Bruce was describing sounded like the way coma sopras are written in paper and pencil scores...cue names have letters and numbers and then of course the measure numbers that are being repeated are written in. Coma sopras are common for example if a cue has been revised and also for another example in an "end credit medley" so to speak.
Thanks for clearing up your points so much. Fascinating to see how other people work out solutions to workflow and client problems. This list is great on so many levels; it makes me feel like I'm not alone when I have to come up with an odd solution to something.
Thanks so much for the incredible detail and complete response to my questions. Happy new year!
You bet! Your posts are excellent (you are amazing with that percussion map stuff!) and I'm sure you'll bail me out at some point! Gotta love this list! Happy New Year to you as well!
You are too kind. I think I am wallowing around trying to find something that works, so it is a surprise to me to find that somebody actually gets anything from my posts.
Anyway, my family is renting Harry Potter 3 today (we are all still on holidays and the weather is pretty bad right now) and I will enjoy hearing JW's music for the second time. I find I can pay more attention the second time I see a film, as I get lost in the whole package (as I should, I think) the first time around.
Regards,
Christopher
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