> Protection of investment I can also understand. I had to re-do an
> entire cycle of songs from scratch recently because the original
> Finale files had not been provided to the composer, and the different
> people who did the work were no longer in the business. It was an
> expensive problem for my client, who merely wanted his set of songs
> made to look consistent.

Interesting situation. I can appreciate the argument in such a case.

Still, considering the work that goes into templates and libraries, I'm 
suprised that submission of finale files isn't a hot topic. I'd be very 
concerned that composers wouldn't gut the files and use them as templates, then 
just call me in for the difficult stuff!

My apologies if this is going somewhat tangential, it's all loosely related, 
after all my very next customer may try to insist on such a thing.

-- 
Simon Troup
Digital Music Art

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