> > I was however _fascinated_ in the topic as some peoples
> > relationships with their clients were very far removed from my own
> > experience - Dennis and others have been talking about issues which
> > simply haven't arisen for me in ten years in the business.
>
> Umm, like what? Just wondering.

Just the whole thing of why clients want access to the Finale files, what 
clients do with them, are engravers happy about giving them away, shouldn't 
engravers be doing any corrections and being paid for it, don't editors just 
mess things up if they play with the files ...

> > I don't think ethical refusal to accept victimware is neglect.
> 
> and I would suggest that it seems to me that Simon is characterizing
> overlooking the failure to determine what version of Finale a client
> is using before starting a project in which finale files might are to
> be provided to the customer, as neglect.

That was what I was suggesting when I was blathering on about my experience of 
owning Quark 4 when all the publishers were still on 3.3, I was presumed there 
had to be other reasons, a couple of good ones were quickly pointed out.

-- 
Simon Troup
Digital Music Art

-------------------------
Finale IRC channel
server: irc.chatspike.net
port: 6667
channel: #Finale
-------------------------

_______________________________________________
Finale mailing list
[email protected]
http://lists.shsu.edu/mailman/listinfo/finale

Reply via email to