In my experience, Violists don�t mind treble clef so much as they mind
having to change clefs often. It�s a real pain to switch one's thinking for
four measures just to avoid a couple of ledger lines. Your general rule is a
pretty good one. If I�m seeing four or more ledger lines for four measures,
I�m pretty not happy about it, and trying to find ways to re-write so it�s
easier to read. It sounds like your score would be better served using
treble clef as the predominant clef with occasional forays into the
alto-clef range, from my experience, a fairly common sight in solo viola
music.


> From: Ryan Beard <[EMAIL PROTECTED]>
> Reply-To: "[email protected]" <[email protected]>
> Date: Wed, 13 Apr 2005 20:02:10 -0700 (PDT)
> To: finale <[email protected]>
> Subject: [Finale] clef changes
> 
> Hi folks,
> 
> I'd be interested in getting some opinions regarding
> clef changes. And, if any violists are out there, I'd
> love to hear how you feel about reading in treble clef
> for extended periods of time.
> 
> I'm working on a viola sonata right now, and the
> composer stays pretty high in the range throughout the
> whole piece. His manuscript is mostly in treble, but
> that's due to his inexperience with the alto clef. In
> fact, he used ledger lines down to the open C in one
> passage. He told me to changes clefs as necessary to
> fit the music. 
> 
> i'm inclined to leave large portions of it in treble
> clef, just to give the performer's eyes a break.
> 
> Do any of you have some rules of thumb you'd like to
> share? How many ledger lines above the staff would you
> go in alto clef? How many below in treble clef? 3 on
> either side? 
> 
> Thanks,
> 
> Ryan
> 
> 
> 
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