I find that much easier to read, than, say, 8va basso. I would get totally lost in such a situation.

So, I am wondering if this is also true of those above mentioned instrumentalists.


As another bassoonist on the list, and contrary to Andrew, I have no dislikes as to music written in the tenor clef. However in general I prefer not to have things written in the <trouble> clef. That said, there are occasions where the treble clef is definitely more advantageous, like when the bassoon is hovering near E5.

As to Phil's question about 8va or 8ba, personnally i dont like seeing them at all. What I see is what I want to play, and since many of the octave notes on the bassoon require completely different fingerings, it is more of a challenge than I enjoy dealing with.

Gregory
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