Hi Darcy- a change of subject!- please advise where you found the font for "slashed circle" (half dim).
Cheers Keith in OZ Keith Helgesen. Director of Music, Canberra City Band. Ph: (02) 62910787. Band Mob. 0436-620587 Private Mob 0417-042171 -----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Darcy James Argue Sent: Tuesday, 26 April 2005 10:26 PM To: [email protected] Subject: Re: [Finale] It _is_ TOMATO! (was: C13) On 26 Apr 2005, at 2:36 AM, A-NO-NE Music wrote: > Gsus2 was a full of surprised to me, so I called a couple studio > musician > friends in NYC. Darcy was of course right. They are very familiar > with > sus2 chord, but they also told me it's a CODE for convenience Isn't that what I said? Besides, all chord symbols are codes for convenience. That's the whole point of using them. > only common in NYC Probably LA too. Also very common in publishing, although Chris is right that it's sometimes mis-used. (I might argue in response that there's a lot of sloppy pop publishing out there, and virtually all chord symbols are mis-used at one point or another. But it is used correctly and consistently in publications where the editor wasn't MIA.) > and they also told me the chord's real name is G2(add5). I was > glad to hear they don't insists on 'sus'! Well, I *did* suggest "G5 (add 2)" as an alternative to Gsus2, which I think is a little clearer than "G2 (add5)" because it's based on a standard chord symbol ("G5"), but the result is the same. As for the chord's "real" name, I have to admit I really don't care about such issues. IMO, the "real" name is the symbol that's actually on the part. If all the parts say "Gsus2" than that's the "real" name, regardless of what the player might or might not be thinking. If you play in a scene where "G2 (add 5)" or whatever is used instead of "Gsus2", then *that* is the "real" name for the chord in that musical community. Disputes about whether, for example, C Eb Gb Bb is "really" "C minor seven flat five" or "C half diminished" are, IMO, pointless. Since virtually everyone now understands both terms for the chord, I'm only interested in the most economical way of conveying to the player which notes are in the chord (i.e., "C�"). You can tell me it isn't "really" half-diminished all day long, but it doesn't make the slightest difference to me so long as the player reads the symbol I wrote and plays the notes I want. - Darcy ----- [EMAIL PROTECTED] Brooklyn, NY _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale -- No virus found in this incoming message. Checked by AVG Anti-Virus. Version: 7.0.308 / Virus Database: 266.10.3 - Release Date: 25/04/2005 -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.308 / Virus Database: 266.10.3 - Release Date: 25/04/2005 _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
