I went to the Boston Pops concert last night.
One of the numbers (Burt Bacharat) was in a fast 4. It had some obvious 6/4 (3/2) measures in it (with 3 half notes as the predominate rhythm).
But Keith Lochart conducted right through them in 3/4, as though there were 3 beats in the measure. I wonder if that's how it was written in the score?.
So, instead of listening to (and enjoying) the music, I got caught up in the rhythmic hemiolas ;-)
Phil Daley
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