On 14 Jul 2005 at 18:31, Tyler Turner wrote:

> --- "David W. Fenton" <[EMAIL PROTECTED]> wrote:
> 
> > Yes, I don't find this at all difficult in the
> > Sibelius 4 demo. I can 
> > select and entire measure and apply an articulation
> > to all notes. Of 
> > I can click a note and then shift-click any
> > additional notes, then 
> > apply an articulation.
> > 
> > This latter allows non-contiguous selection, which
> > would be quite 
> > useful to me in many cases. Yes, Finale allows you
> > to apply 
> > articulations to a particular rhythmic value, but I
> > often need to 
> > apply to some notes of a uniform rhythmic value
> > (such as a da-yat-dit-
> > dit pattern in 8th notes). 
> > 
> > Sibelius actually makes this much more flexible and
> > easy than Finale.
> 
> I get quite a bit of use out of SmartFind and Paint
> for this type of thing.

???

Well, that's a feature I'd never seen before, but it seems to me that 
it hardly relates at all to the scenario I outlined.

First off, it only works for copying from existing music to music 
that is similar. Useful as that is, it is completely orthogonal to 
the problem I was describing.

Yes, if I had many measures of da-yat-dit-dit I could set up one 
measure and the copy to all other measures that I wanted the same 
articulation. I could also do that with simply mass copying 
restricted to articulations and slurs.

But none of those speed up the setup of the original measure. If it's 
got two da-yat-dit-dit's in it, in Sibelius, I can ctrl-click the 
2nd, 3rd, 7th and 8th noteheads and apply the stacatto. I can't do 
this in Finale without two steps. Of course, if I have multiple 
homorhythmic staves one above the other with the same articulation, I 
can select 2 & 3, and do it for all the staves, and apply the 
articulation, then select 7 & 8 for the same set of staves and apply 
the articulation.

So, that's something that likely Sibelius can't do without a copy 
operation, or with fussy Ctrl-click mousing.

But it's only an advantage for homorhythmic passages in multiple 
parts. The Sibelius non-contiguous note selection behavior is much 
more user-friendly, in my opinion, than Finale's partial measure 
selection, which I've never found very useful (because I can never 
quite predict which subdivisions I'm allowed to select, and how to 
get the particular partial measure selected that I need).

-- 
David W. Fenton                        http://www.bway.net/~dfenton
David Fenton Associates                http://www.bway.net/~dfassoc
All non-quoted content (c) David W. Fenton, all rights reserved

_______________________________________________
Finale mailing list
[email protected]
http://lists.shsu.edu/mailman/listinfo/finale

Reply via email to