--- Richard Yates <[EMAIL PROTECTED]> wrote:

> > No-one would surely claim that a counter-tenor
> sounds the same as a female
> > soprano- nor would they want to.
> > One often hears of the shock-horror of purists at
> the news of 'femsops'
> > singing parts written for countertenors.
> > Quite right too.
> 
> If any particular countertenor does not sound right
> to be in the soprano
> section then that could be a valid reason for
> excluding that person. But
> that is a distinction based on sound quality, not on
> genitals or
> chromosomes.
> 
> Richard Yates
> 

Here's an excerpt from an obviously still biased
article, but one which at least gives a little more
information on TMEA's perspective.

"Association spokeswoman Amy Lear said the group
enacted the rule two years ago because of concerns
that girls auditioning for tenor parts were hurting
their voices by singing too low.

"If you make a rule one way it has to work both ways,"
Lear said, adding that the association does not hold
auditions specifically for countertenors because the
part is rarely included in the group's music.

In late May, Rawls asked the association to reverse
its policy and let auditions be non-gender specific,
or to create a new audition category specifically for
countertenors. In his petition, Rawls said the
countertenor is a legitimate voice part that should be
recognized by music teachers, and he argued the policy
amounts to gender discrimination.

Neither Lear nor association president Kerry Taylor
could think of another male who ever wanted to
audition for a traditional girl's part on the
All-State Choir. Taylor said the policy doesn't amount
to discrimination because Rawls can try out for any of
the more traditional male parts. "

----
I see TMEA's justification as being completely
legitimate. This boy proposed two solutions, both
which I agree are unacceptable.

1. Create a new countertenor competition category.

Great. You have the elite choir members who work
extremely hard to get where they are and whom are
rewarded with a once in a life-time opportunity. And
then you let a couple of kids into the same group who
can get in because they don't have to compete with
anyone. Furthermore, you're going to limit the music
which can be sung to songs which have unique parts for
this vocal quality. As a former member of a Texas
All-State group, I can tell you this would make me
quite angry, and it would be a slap in the face after
all the work I went through.

2. Allow males to sing alto or soprano parts.

They created a rule 2 years ago to prevent girls from
auditioning as tenors because there were girls who
were damaging their voices. This is why the rule was
created. Letting it go the other way, allowing males
to sing vocal parts, can just as easily be called
gender discrimination. And it's of a worse variety -
it's inconsistent.

Opening the door for this one boy to sing soprano
opens the door for a whole gender discrimination
liability mess. How do you as a judge eliminate a boy
soprano because he sounds like a boy? A quality
countertenor does not sound like a female soprano, and
the musical parts they are trying out for were written
specifically for the female voice quality and in some
cases gender roles - not just the range. If you let
this boy into the Texas All-State Choir as a soprano,
you must also allow him to be a contender for soprano
solos. It's not fair to any other member of that choir
to have their performance tainted by a vocal quality
or gender role that doesn't fit the music.

I'm sorry, but the world is bigger than this boy. He
has found success and acceptance as a countertenor,
and he should go forward with that. But asking for new
rules to be made for the sake of one person, when
these rules can make a mess in who knows how many
other ways, is just selfish. It's not the nature of
the world to adapt to the needs of one person. I think
in many ways we give kids the impression too often in
our schools that the world works this way.


Tyler

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