A couple of questions for the list, both about the same 19th-c. orchl.
work that I'm editing.
1) Can any of you think of any example of a musical self-portrait
(especially orchestral) from the 19th c.? 18th c.?
2) This composer habitually puts his first violins onto two staves,
labeled Vn.Ia and Vn. Ib. How should the string parts for such a piece
be distributed:
6.6.12.10.8.6?
8.8.8.10.8.6?
Something else?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
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