With this info it now seems like an Fm6, even with the E suspended.
I've seen progressions like this in old, old lead sheets where the
editors could NOT read bass clef, and only saw the chord shape in the
treble. In many of these cases, I would play a Bb9(#11) as a
substitution to hip it up. Both this and Fm6 can lead the ear back to
C major effectively.
The enharmonic spelling is insignificant to me.
J.D. Thomas
ThomaStudios
***************************
J.D. Thomas
ThomaStudios
West Linn OR
www.thomastudios.com
***************************
On Sep 9, 2005, at 1:08 PM, Jacki B. wrote:
LOL - Sorry to freak everyone out!! Upon looking at it again, it has F
natural in the bass, G# (or Ab?) and E natural in the treble - but the
E is
sort of a "suspended" note that resolves to a D natural on the very
next
beat - so I think the "real" chord is the F in the bass, G#(Ab) and D
in the
treble... ?? Rings of the dim7 chord but if I add in the B it is
definitely
not "right" (I'm transcribing this off a CD I'm listening to)...
Thanks again!
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