Hi Chris,
My own writing is getting pretty far removed from traditional big-
band jazz these days, and I tend to not use the traditional jazz
articulations (scoops, doits, fall-offs, etc) so it hasn't really
been an issue. When I need something like them, I use smart shapes
instead of articulations whenever that makes sense (for bends and
fall-offs). If I ever actually needed a doit, or a curved scoop, I'd
probably just use the Jazz Font glyphs.
- Darcy
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http://secretsociety.typepad.com
Brooklyn, NY
On 26 Oct 2005, at 2:05 PM, Christopher Smith wrote:
On Oct 26, 2005, at 1:56 PM, Eric Dannewitz wrote:
I generally use Jazz for jazz type arrangements, and Maestro for
everything else. I think if Bill Duncan can come up with some
excellent jazz type articulations that work for Maestro, then I
might possibly leave the Jazzfont.....
I know Darcy Argue, for one, has switched to exclusively Maestro
for all his jazz work, and he must have come up with some viable
symbols that suit the Maestro environment (Bill's chord suffixes,
to name one tool.)
Darcy, care to weigh in?
Christopher
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