Yes, well that's ONE of the reasons I like Barenreiter's layout, large and roomy margins.
But I assumed that was partly due to the layout design, and to allow ample room in the margins
for notes and comments.
On 1/9/06, John Howell <[EMAIL PROTECTED]> wrote:
At 4:45 AM -0500 1/9/06, Kim Patrick Clow wrote:
>Does anyone know the dimensions of Barenreiter's Urtext Editions,
>e.g. their Mozart, or Bach, or Telemann editions?
>Would it be difficult for a copy shop to print on paper that is
>similiar in that dimension?
Can't answer your questions, but can point out that the actual paper
size is often considerably larger that the plate size that is
actually printed on that paper. A remarkable number of oversize
editions can be photocopied (when that is legal, of course) on U.S.
letter size with very little or no reduction, because the plate size
fits those dimensions. The obvious question, then, is why oversized
paper was used?
John
--
John & Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411 Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
--
Kim Patrick Clow
"There's really only two types of music: good and bad." ~ Rossini
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