At 03:07 PM 2/19/06 -0800, Dean M. Estabrook wrote: >> Mein Gott ... I'm just remembering my MA Thesis, which composed in >> 1965 or so, and consists of 87 pages of score for 22 wind instruments. >> I, of course, hand copied the thing using india ink on vellum from >> Cameo Music in Hollywood, working 8 hours per day and averaging 4 >> pages of MS each day. I still have an indentation on my right index >> finger! Just for fun, and to see what it really sounds like (more or >> less), I've been transcribing the first movement to Fin06/GPO. I'm >> still averaging about 4 pages per day, 'cause that's about all I can >> stand of it, but it only takes about an hour to do that much. Times >> have certainly changed.
They have indeed. I shouldn't contribute to a bad-ole-days thread, but can't help myself. I moved to Cologne for a month in 1991, and spent the entire time copying the parts for my 25-minute "Softening Cries" for string quartet and large orchestra. Then I had to leave for several months in Amsterdam. Of course, one of the first things I ordered when I arrived home the next June for the performance was Finale ... but it wasn't until five years later that I got back to Cologne to see the city. Dennis -- Please participate in my latest project: http://maltedmedia.com/people/bathory/365-2007.html _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
