On 31 May 2006 at 23:12, John Howell wrote:

> It is not an easy question, and there is not a single easy answer, but
> I would tend to stick with the vocal clefs and to avoid C-clefs unless
> I am specifically writing for viola.  I would also give the
> instrumentalists full choral scores unless the page turns are
> impossible.  Sometimes they are, sometimes they aren't.

As someone who frequently plays viol in such repertory, I would also 
add that it *helps* players to have the words in the part they are 
playing for, as the words suggest articulations and bowings.

-- 
David W. Fenton                    http://dfenton.com
David Fenton Associates       http://dfenton.com/DFA/

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