Date: Fri, 23 Jun 2006 13:23:51 -0400
From: Dennis Bathory-Kitsz <[EMAIL PROTECTED]>
Subject: Re: [Finale] Tremolos
To: [email protected]
Message-ID: <[EMAIL PROTECTED]>
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"In other words, what isn't easy isn't done, and what isn't done isn't
supported. This limits the composer's opportunities to the software's
capabilties. 'Writing to the software' has become a creativity curse for
those not strong enough to push back at technology. Any push back, however,
may lead to a more extreme segregation or stratification of composers into
a collaborative class and a rejectionist class..."

"Once we cycle back out of these conservative artistic times and experiment
once becomes part of the composer's attitude, the software situation (and
codification dilemma) may improve -- or, as I suggested above, it may
result in further stratification of composers into a collaborative class
and a rejectionist class."

Dennis

I can testify to this change.  I have some old pieces of mine that I keep
intending to set, but "Finale" makes life so difficult, I do a little bit
and put it aside.  Even though I do not believe Finale is a composers tool,
I am aware that none of my recent works pose significant problems within
Finale.  It is probably happening subconsciously, but I wonder what the
cumulative effect will be after a generation of composers who may know no
viable alternative way of working.
The same happened in the early sixteenth century.  All the ligatures and
colouration that made 15th century music so complex (e.g. mensuration
canons) disappeared with the introduction of printed music using movable
type.  I suspect something similar is happening now and there will be no
cycling "back out of these conservative artistic times."  But there will be
new developments, so I do not think we need worry!

Regards,
Michael Lawlor

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