> -----Original Message----- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] On Behalf Of David W. Fenton > Sent: 26 June 2006 20:18 > To: [email protected] > Subject: Re: [Finale] Notation; was RE: Tremolos > > > On 26 Jun 2006 at 7:59, [EMAIL PROTECTED] wrote: > > > The same happened in the early sixteenth century. All the ligatures > > and colouration that made 15th century music so complex (e.g. > > mensuration canons) disappeared with the introduction of > printed music > > using movable type. > > I think you're reversing cause and effect. > > -- > David W. Fenton http://dfenton.com > David Fenton Associates http://dfenton.com/DFA/ >
What do you mean by this? That ligatures and coloration created complexity (not necessarily true), or that movable type precipitated the disappearance of most ligatures (true)? _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
