This has happened to me before when doing my part extraction using Special
Part Extraction method (a real time-saver; for those not hip to it, I'll be
happy to post the steps again).

Since I use the Staff tool to select the new staff and apply SPE, sometimes
I forget to switch to Mass Mover before hitting the 4 key, which results in
transposing the part to Tenor Sax instead of note spacing it. This still
happens to me every other week or so, and I usually catch it right after
I've done it.

Brian Williams

> From: [EMAIL PROTECTED]
> Reply-To: [email protected]
> Date: Mon, 21 Aug 2006 21:52:29 -0500
> To: [email protected]
> Subject: Finale Digest, Vol 37, Issue 35
> 
> On Aug 21, 2006, at 3:41 PM, Christopher Smith wrote:
> 
> Sorry, a funny aside here about an imagined corruption problem I just
> had today.
> 
> All my extracted parts for a project today were transposed up a major
> 9th, even the concert pitch ones. This was something I had never seen
> before. I checked the score, and EVERY staff was called Tenor
> Saxophone in Bb! I checked the staff attributes, everything was
> normal. I went back and tried to edit the staff name and
> transposition, but all was as it should be. When I tried to CHANGE a
> transposition, it entered properly, but the staff was still called
> Tenor Sax and was up a 9th! I was getting that crazy feeling in the
> pit of my stomach at the thought of starting all over again, then I
> noticed the pale blue lines over the staves when I selected the Staff
> Tool.
> 
> Got it yet?
> 
> It took me a minute still with my mouth hanging open and the light
> slowly going on. Yes, Martha, I had selected All, then hit 4, meaning
> to respace, just before extracting parts. The Staff Tool had been
> selected instead of the Mass Edit Tool, and I had just switched tools
> and hit 4 again, not thinking that I had even done anything in the
> Staff Tool by hitting 4. But 4 is the Staff Metatool for applying
> Tenor Sax transposition to a staff, and that is what I had done, to
> my entire score.
> 
> It might have been tragic, but no, it was just stupid.
> 
> Christopher
> 
> (certain that his nightmares tonight will involve enormous saxophone
> choirs populated only with tenor saxes.)

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