At 7:46 AM -0400 10/8/06, dhbailey wrote:

One sequencer capability which would be nice in Finale for just such occasions would be the ability to have one staff, one sound, duplicated to different tracks with each one time-shifted a few milliseconds and the multiple tracks detuned randomly (so that one track wouldn't always be sharper or flatter) a very minute amount, to get a real section sound with a single sample and a single staff.

I can't remember off hand what it was called, but I used a black box with basically those capabilities in the recording studio back in the late '80s.

John


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John & Susie Howell
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