Hey, anything is possible!
But like diagnostician doctors trying to come up with a cause for the
symptoms, we theory analysts try to find the most direct chord for
the associated pitches. When you hear hoofbeats, think horses, not
zebras.
The voicing IS a rather run-of-the mill G7 altered (or Db7 lydian
dominant, same chord with a different bass), the question is: was the
chord symbol a tone too high, or was the voicing a tone too low, or
(as I suspect now) is everything correct and it was just anticipated
(or wrongly placed)? Or were there some wrong notes attributed? A
tough call without the amount of info that Carl has...
Christopher
On Jan 12, 2007, at 12:34 PM, Daniel Wolf wrote:
Just out of curiosity -- I don't come from the Jazz world -- could
this also be Eb major triad with a suspended b6 and the ninth in
the bass? (Figured bass is so much easier!)
Daniel Wolf
F, B, Eb, G, Bb (bottom to top).
This chord is G7(#9, b13) on 7th, or there won't be associated chord
scale for it :-)
_______________________________________________
Finale mailing list
[email protected]
http://lists.shsu.edu/mailman/listinfo/finale
