Aaron Rabushka / 2007/02/05 / 01:49 AM wrote: >The "no doubling of the leading note" comes from the necessity of the >leading tone to go straight up to the tonic. Therefor, a doubled leading >tone would result in parallel octaves.
Ooops. This is pretty much a D'oh factor. Thanks for pointing this out. By the way, I appreciate music theory. I believe one of the aspect to be creative is to break the rule, but you can't do that unless you, not just know it but understand the rule and its background. Coltrane was keep hitting the avoid note on his blues, over and over. I bet he won't do that if he didn't know it's the avid note. There is a line between 'creative' and 'wrong'. The wrong usually comes from ignorance and/or luck of discipline. -- - Hiro Hiroaki Honshuku, A-NO-NE Music, Boston, MA <http://a-no-ne.com> <http://anonemusic.com> _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
