On Mar 3, 2007, at 5:50 PM, David W. Fenton wrote:
How do you resolve those things without endless rehearsal? What if two players have the same passage but interpret the notation slightly differently? Or in contradictory ways?
Ah, I think that happens often, and sometimes produces unexpectedly beautiful results. One of the charms of this method of music making. The conflicts are always resolved on the main pulses. The pushes and pulls are a big part of the thrill of the music.
Chuck
My viol consort spends tons of time deciding how to interpret passages that have implied rhythmic structures that are not notated. If we didn't, our playing would be incredibly boring (like 99% of the viol consorts you've probably heard), but it *does* take a great deal of time. -- David W. Fenton http://dfenton.com David Fenton Associates http://dfenton.com/DFA/ _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
Chuck Israels 230 North Garden Terrace Bellingham, WA 98225-5836 phone (360) 671-3402 fax (360) 676-6055 www.chuckisraels.com _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
