Chuck Israels wrote:
On Mar 3, 2007, at 5:50 PM, David W. Fenton wrote:
How do you resolve those things without endless rehearsal? What if
two players have the same passage but interpret the notation slightly
differently? Or in contradictory ways?
Ah, I think that happens often, and sometimes produces unexpectedly
beautiful results. One of the charms of this method of music making.
The conflicts are always resolved on the main pulses. The pushes and
pulls are a big part of the thrill of the music.
Chuck
>>>>>>>>>>>>>>>>>>>>>>>>
Yo, Chuck
BF
My viol consort spends tons of time deciding how to interpret
passages that have implied rhythmic structures that are not notated.
If we didn't, our playing would be incredibly boring (like 99% of the
viol consorts you've probably heard), but it *does* take a great deal
of time.
--David W. Fenton http://dfenton.com
David Fenton Associates http://dfenton.com/DFA/
_______________________________________________
Finale mailing list
[email protected]
http://lists.shsu.edu/mailman/listinfo/finale
Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
_______________________________________________
Finale mailing list
[email protected]
http://lists.shsu.edu/mailman/listinfo/finale
_______________________________________________
Finale mailing list
[email protected]
http://lists.shsu.edu/mailman/listinfo/finale
