At 3:18 PM -0500 3/5/07, Raymond Horton wrote:
One is an an old recording of a family from decades ago, and the other a more recent recording of a former Amish woman now living in another state.

I was able to track down the latter woman, have spoken to her several times and bought several more recordings from her. She is quite a virtuoso, and her recordings of these old, traditional yodels, which she has embellished over the years, can be very useful to my work.
Do I need her permission to use her versions of these old, traditional tunes?

Two of her homemade CDs which she sells are labeled: "copywrite (sic) 19xx" (no circle c). A third CD is more commercial looking, but I recall it as similarly mislabeled (I can't locate it right now). A cassette is not labeled Copyright at all. Most of my needs are met by the home-made CDs and cassette (she keeps repeating the same traditional songs, with minor variations, and adding originals in which I am not interested).

Too many questions remaining!!! (1) How do you plan to use the recordings? Sampling? Using the recording itself in some way? As a source of a particular yodel? As a source to recreate (instrumentally?) a generic yodel based on an authentic source? And what is/are the date(s) of the claimed copyright?

Prior to the new copryight law being phased in (which is to say under the 1909 copyright law) the copyright notice in a very specific form and no other form was a requirement, and anything published without it automatically entered the public domain.

I remember learning that recorded works are not copyright-able, only scores are. Is that still the case?

No, absolutely not, and not for quite a while. It was the case under the 1909 law, but during the runup to the revision that was passed in 1976 and took effect in 1978 Congress finally got around to adding copyright to recordings. But again, the form was specified, and required p-in-a-circle (for "phonorecord") rather than c-in-a-circle. I seem to remember 1972 as the first year in which recordings could actually be copyrighted, but I could easily be wrong.

But that's not even the main question! There would be a copyright in the song itself, unless it was PD. There would be a copyright in the arrangement, unless it was old enough to be PD itself or arranged without permission. And the actual ownership of the recording can be a real can of worms, although probably not in this case. And of course copyright in the recording is a copyright for the performance on that recording.

If not, then these recordings are her arrangements. If so, they have to be considered PD.

Why?

I know for a fact that she does not have scores, does not read music, because she mentioned she has treasured notebooks with the words to all of these songs.

Again, the dates, both for her recordings and for the others you found, are crucial.

The other, older recordings (not hers) have most of these same tunes, but hers are more melismatic. I would like to be able to draw from all of them.

I do not want to rip her off. I had intended to write her a letter, spelling everything out, but she called me yesterday to tell me my check made it there ok, and I made the mistake of trying to ask her on the phone, only confusing her. (As with all Amish/former Amish, English is not her first language. She thought a composer paints pictures.) My request worried her, ("I don't want to give up any of my rights") and she is going to have her "English" husband call me on Tuesday.

I will not likely make much, if any money, from this work, so I can't really offer any cash. I could offer them like 5% or 10% of the profits, telling them (a) there might not be any, and (b) they will have to trust me.

Make her feel good. Make her feel that her work is valued. Ask permission, and give her something in writing that makes it clear that by giving you permission for whatever your use will be, she is not giving up any of her rights.

I, like David Bailey and most others here, and am not a lawyer and this is not legal advice.

John


--
John & Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:[EMAIL PROTECTED])
http://www.music.vt.edu/faculty/howell/howell.html
_______________________________________________
Finale mailing list
[email protected]
http://lists.shsu.edu/mailman/listinfo/finale

Reply via email to