At 10:36 PM -0400 3/24/07, Christopher Smith wrote:
On Mar 24, 2007, at 9:45 PM, Darcy James Argue wrote:

A ways back, there was some discussion of how to handle voiced parts (i.e., Horn 1/2 on the same score staff) when you have a cue note in the same measure as real notes. Perhaps somebody could kindly remind me what the workaround for this is?


Sorry I don't remember the discussion, but it would surprise me to have cues on a score. Normally, that sort of thing is just on the extracted instrument parts, which of course avoids the whole problem, assuming you are preparing separate Horn 1 and Horn 2 parts.

I take Christopher's point, of course, but must point out that it goes against the unofficial "rule" that the conductor should see exactly what the players see. If an instrument is missing, it's important to know that it's cued into another part without stopping rehearsal and having to talk about it.

John


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